“They should have sent a poet,” gasps Jodie Foster’s character in the film based on Carl Sagan’s novel Contact as another galaxy emerges before her eyes outside the spaceship window, redeeming with the wonder of possibility her lifelong dream of finding intelligent life beyond our solar system.
Sagan, who wrote the novel in 1985 and returned his stardust to the universe months before the film’s premiere in 1997, modeled Foster’s character — a scientist persisting in the search for extraterrestrial intelligence against the tidal force of resistance from the limited imagination of mainstream science — on the heroic longtime director of the SETI Institute: astronomer Jill Tarter.
In the spring of 2020, as our one and the only world was celebrating the fiftieth anniversary of Earth Day while coming unworlded by a deadly pandemic, Dr. Tarter joined the human chorus serenading our cosmic belonging in The Universe in Verse — my annual charitable celebration of science and the natural world through poetry — to read a poem that could have been composed by her or for her or about her: “The Ball” by the Polish poet Wisława Szymborska (July 2, 1923–February 1, 2012), who received her Nobel Prize with a stunning reflection on how our certitudes keep us small and whose poignant lesser-known prose has explored the paradoxes and opportunities of our cosmic solitude.
by Wisława Szymborska
As long as nothing can be known for sure (no signals have been picked up yet), As long as the Earth is still unlike The nearer and more distant planets,
As long as there’s neither hide nor hair Of other grasses graced by other winds Or other treetops bearing different crowns, Other animals as well-grounded as our own, As long as the local echo Has been known to speak in syllables As long as there’s no word Of better or worse Mozarts, platos, edisons out there,
as long as our inhuman crimes are still committed only between humans, as long as our kindness is still incomparable, peerless even in its imperfection, as long our heads packed with illusions still pass for the only authorities so packed, as long as the roofs of our mouths alone raise voices to high heavens —
let’s act like exceptional guests of honor at the district fireman’s ball, dance to the beat of the local oompah band, and pretend that it’s the ball to end all balls. I can’t speak for others — for me, this misery and happiness enough: just this sleepy backwater where even the stars have time to burn while winking at us unintentionally.
“The Ball,” translated by Stanislaw Baranczak and Clare Cavanagh, appears in Szymborska’s indispensable Map: Collected and Last Poems (public library), which also gave us her ode. To the number pi and her lovely “Possibilities.”
For more about Dr. Tarter, her inspiring story, and her poetic credo that “it takes a cosmos to make us human,” savor her On Being conversation with Krista Tippett. (Krista was also a part of The Universe in Verse in 2020 with a lovely reading of and reflection on Wendell Berry’s “The Peace of Wild Things,” and in 2019 with Howard Nemerov’s ode to the interconnectedness of the universe.)
For more lush lyrical interleavings of our hunger for elemental truth and our search for human meaning, delve into the Universe in Verse archive, spanning several years and dozens of diversely inspiring humans reading perspective-broadening poems, including astronomer Natalie Batalha reading and reflecting on Dylan Thomas’s cosmic serenade to trees and the wonder of being human, musician Meshell Ndegeocello performing Whitman’s ode to the entwined mutuality of life, physicist Brian Greene reading and reflecting on Rilke and the nature of time, U.S. Poet Laureate Tracy K. Smith reading her spare and poignant invocation of Einstein’s mother, astronaut Leland Melvin reading Pablo Neruda’s love letter to Earth’s forests, and Patti Smith reading Emily Dickinson’s poetic premonition of particle physics.